The Biointernet Mask
Another Door to the Future!
The Mask – a way to create a new “Me”, going beyond the limits of everydayness and “outside view” to organize and correct the Future.
Every day we use different masks. One mask for work, the other for the house, the third – only like a fan, the fourth – when something is forgotten or lost, the sixth – when they are satisfied with the result, the seventh – for parents, the eighth – for unfamiliar people, and so on.
Conscious use of masks creates a common reality and shapes the future.
The Mask devices for Yoga, Lucid Dreaming, Remote Viewing, Intuitive Information Sight, Meditation, Telepathy, Materialization and for other The Biointernet Practices
Masks – objects that cover the face or body for variety of reasons. They are used for protection, disguise, entertainment or ritual practices and are made from various materials, depending of use. Earliest use of masks was for rituals and ceremonies, and the oldest found mask is from 7000 BC. Art of making masks could be older but because of the materials used for making them (leather and wood), they did not survive to this day.
Essential characteristic of hiding and revealing personalities or moods is common to all masks. As cultural objects they have been used throughout the world in all periods since the Stone Age and have been as varied in appearance as in their use and symbolism.
Masks have been designed in innumerable varieties, from the simplest of crude “false faces” held by a handle to complete head coverings with ingenious movable parts and hidden faces. Maskmakers have shown great resourcefulness in selecting and combining available materials. Among the substances utilized are woods, metals, shells, fibers, ivory, clay, horn, stone, feathers, leather, furs, paper, cloth, and corn husks. Surface treatments have ranged from rugged simplicity to intricate carving and from polished woods and mosaics to gaudy adornments.
The Functions And Forms Of Masks
Masks generally are worn with a costume, often so complete that it entirely covers the body of the wearer. Fundamentally the costume completes the new identity represented by the mask, and usually tradition prescribes its appearance and construction to the same extent as the mask itself. Costumes, like the masks, are made of a great variety of materials, all of which have a symbolic connection with the mask’s total imagery. Ideally the costume should be seen with the mask while the wearer is in action.
The morphological elements of the mask are with few exceptions derived from natural forms. Masks with human features are classified as anthropomorphic and those with animal characteristics as theriomorphic. In some instances, the mask form is a replication of natural features or closely follows the lineaments of reality, and in other instances it is an abstraction. Masks usually represent supernatural beings, ancestors, and fanciful or imagined figures and can also be portraits. The localization of a particular spirit in a specific mask must be considered a highly significant reason for its existence.